{"id":36,"date":"2021-02-08T04:03:35","date_gmt":"2021-02-08T04:03:35","guid":{"rendered":"https:\/\/www.horror-house.jp\/?page_id=36"},"modified":"2021-02-17T06:47:19","modified_gmt":"2021-02-17T06:47:19","slug":"koun-takamura","status":"publish","type":"page","link":"https:\/\/www.horror-house.jp\/koun-takamura\/","title":{"rendered":"Koun Takamura"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"36\" class=\"elementor elementor-36\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8cea174 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8cea174\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a366f9c\" data-id=\"a366f9c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-57a0d6f elementor-widget elementor-widget-image\" data-id=\"57a0d6f\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"224\" height=\"300\" src=\"https:\/\/www.horror-house.jp\/wp-content\/uploads\/2021\/02\/Takamura-Koun-224x300.jpg\" class=\"attachment-medium size-medium wp-image-43\" alt=\"\" srcset=\"https:\/\/www.horror-house.jp\/wp-content\/uploads\/2021\/02\/Takamura-Koun-224x300.jpg 224w, https:\/\/www.horror-house.jp\/wp-content\/uploads\/2021\/02\/Takamura-Koun-766x1024.jpg 766w, https:\/\/www.horror-house.jp\/wp-content\/uploads\/2021\/02\/Takamura-Koun-768x1026.jpg 768w, https:\/\/www.horror-house.jp\/wp-content\/uploads\/2021\/02\/Takamura-Koun.jpg 776w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-405aca9 elementor-widget elementor-widget-heading\" data-id=\"405aca9\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Koun Takamura\uff081852-1934\uff09<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8f668f7 elementor-widget elementor-widget-text-editor\" data-id=\"8f668f7\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"page-contents\">\n<p>After the Meiji Restoration, the demand as a Buddha carver stopped due to a movement to destroy Buddhist statues, and woodcarvings became unpopular when ivory carvings for export came into style. This situation made Koun&#8217;s life difficult. However, he continued to devote himself to woodcarving, absorbed western art, and revived the fading woodcarving by adapting realism. This way he played an important role of passing the woodcarving techniques by the Edo era to modern days. In 1893, he sent &#8220;Roen (The Aged Monkey)&#8221; to the world exposition in Chicago, and in 1919, &#8220;Sanreikago (Protection by the Spirit of Mountain)&#8221; to the world exposition in Paris. In 1926, He retired from the teaching position at the Tokyo School of Fine Art, and became an emeritus professor. He died on October 10, 1934.<\/p>\n\n<p>\uff1cThe grave location\uff1e<\/p>\n\n<p>Somei Reien cemeraty<\/p>\n\n<p>Komagome, Toshima-ku, Tokyo<br>170-0003<\/p>\n\n<p>TEL\uff1a+81-3-3918-3502<\/p>\n<\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Koun Takamura\uff081852-1934\uff09 After the Meiji Restoration, the demand as a Buddha carver stopped due to a movement to destroy Buddhist statues, and woodcarvings became unpopular when ivory carvings for export came into style. This situation made Koun&#8217;s life difficult. However, he continued to devote himself to woodcarving, absorbed western art, and revived the fading woodcarving&#8230; <\/p>\n<div class=\"read-more navbutton\"><a href=\"https:\/\/www.horror-house.jp\/koun-takamura\/\">Read More<i class=\"fa fa-angle-double-right\"><\/i><\/a><\/div>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Koun Takamura - \u9ad8\u6751 \u5149\u96f2 (1852 - 1934) | Horror House<\/title>\n<meta name=\"description\" content=\"Koun Takamura continued to devote himself to woodcarving, absorbed western art, and revived the fading woodcarving by adapting realism.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.horror-house.jp\/koun-takamura\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Koun Takamura - 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